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Katazome Group 5
89 Katazome

89 Katazome: stylized chrysanthemum and arabesque, late nineteenth century, charcoal based dyed cotton
13.5 x 65 inches
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90 Katazome

90 Katazome: stylized chrysanthemum and arabesque, late nineteenth century, charcoal based dyed cotton 
​13 x 65 inches
Sold

91 Katazome

91 Katazome: hexagon and fan/arrow feather flowers, late nineteenth century, indigo dyed cotton with iron oxide and charcoal based dye
13.5 x 33 inches
$90

92 Katazome

92 Katazome: hexagon and fan/arrow feather flowers, late nineteenth century, indigo dyed cotton with iron oxide and charcoal based dye 
13 x 32 inches
$90

93 Katazome: hexagon and fan/arrow feather flowers, late nineteenth century, indigo dyed cotton with iron oxide and charcoal based dye 

93 Katazome: hexagon and fan/arrow feather flowers, late nineteenth century, indigo dyed cotton with iron oxide and charcoal based dye 
13 x 34.5 inches
$90

94 Katazome

94 Katazome: hexagon and fan/arrow feather flowers, late nineteenth century, indigo dyed cotton with iron oxide and charcoal based dye 
13.5 x 34 inches
$90

95 Katazome

95 Katazome: hexagon and fan/arrow feather flowers, late nineteenth century, indigo dyed cotton with iron oxide and charcoal based dye 
13 x 34 inches
$90

96 Katazome

96 Katazome: hexagon and fan/arrow feather flowers, late nineteenth century, indigo dyed cotton with iron oxide and charcoal based dye 
13 x 35 inches
$90

97 Katazome

97 Katazome: large scale wood sorrel and arabesque, early twentieth century, indigo dyed cotton with iron oxide and charcoal based dye
13.5 x 72 inches
$85

98 Katazome

98 Katazome: large scale wood sorrel and arabesque, early twentieth century, indigo dyed cotton with iron oxide and charcoal based dye
14 x 73 inches
Sold

Description

Katazome

Katazome is a resist dye technique in which a paste of rice flour and bran is applied to cloth through a hand cut paper stencil: dye will not penetrate the areas on the cloth where the paste has been applied, thus creating a pattern.

Dyes can be applied using an immersion method, by hand tinting, or by a combination of these applications, depending on the complexity of the desired effect. If the cloth is to be seen from both sides or if the artisan would like to achieve a crisp, high-contrast effect to the pattern, the application of rice paste through a stencil is applied to both sides of a cloth, requiring an amazing technical skill for exact registration of the stencil on front and back.

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